One of Wales’s leading artists, Tim Davies works in a range of different materials, including, found imagery, sculptural installation, collage, framed works, and film.
He is a memorable image-maker. Often the images are wrought by painstaking and meticulous, repetitive labour, honouring ethics of work, production and systematic interventions.
Known for his installations that question power structures and globalization, Davies once returned a Victorian parquet floor salvaged in a reclamation yard in Swansea to the rainforest of Belize where the wood was originally sourced and cut down by slaves. It was a signal piece of his particular layered and serious art - at one and the same time a conceptual act, combined with formalism in the re-laid floor on the forest ground, and then an image to ponder as the floor is reclaimed by nature. These are acts of homage, of artifice and of politics combined.
Born in west Wales, Davies has established a significant profile in Wales and beyond. An Arts Council of Wales Creative Wales Award recipient in 2008 he was short-listed for the inaugural Artes Mundi International Visual Arts Prize in 2004 and won the Gold Medal in Fine Art at the National Eisteddfod of Wales in 2003. Recent solo exhibitions include Kilkenny Shift (2009) at the Butler Gallery, Kilkenny, Ireland, Seeriad (2010) at Kunstihoone Galerii, Tallinn, Estonia and 50th Year to Heaven (2011) at Chapter, Cardiff in Wales.
The exhibition in Venice will be curated by London based Tom Rowland of Tom Rowland Fine Art, a long-standing supporter and collaborator with Davies. Tom Rowland states that:
"Tim Davies’ work makes a huge visual impact, and is admired for its ability to distil conceptual concerns with formal cohesion, in whichever medium he chooses for his pieces."
In 2003 Cerith Wyn Evans memorably announced Wales at this foremost Biennale of Art, throwing a searchlight up into the night sky. Since then Wales has presented its artists on Giudecca at four Biennale. This year the exhibition from Wales will be at Santa Maria Ausiliatrice in the Castello area, centrally located between the Giardini and the Arsenale with the possibility of attracting larger visitor numbers and raising the profile of the Welsh exhibition at the Biennale. A former convent now used as a local recreational centre, The Ludoteca, as it is commonly known, comprises of a former chapel and sacristy with their cool baroque ecclesiastical interiors, as well as a complement of contemporary rooms. This suite of spaces will allow Davies the freedom to show work in a range of different media, integral to the way he works.
Although the location is central, Wales continues to operate from the powerful perspective of the periphery. The Arts Director of Arts Council of Wales, Commissioner of the exhibition, David Alston said:
"If one of the undercurrents of the 54th Biennale is how artists are the visionaries and the crystallizers of our consciousness in a world characterised often by a superficial and apparently inescapable sense of irony, then Davies has been offering this counterbalancing serious take on the world for some time, and inviting greater acknowledgement for his art’s intent. It is not surprising that this perspective comes from Wales and its historic position."
The exhibition will be complemented by a publication as well as an internship and invigilator scheme that provides professional development for young artists and curators from Wales.
For further information, please contact Siân James on 029 2044 1344 / 07812 801356 or email email@example.com
For further visuals and contact with the project team contact Nia Roberts, Project Co-coordinator, +447775 558301 or email firstname.lastname@example.org
For the Commissioner contact: David Alston, Arts Director, Arts Council of Wales +447929 344857 or email email@example.com
Notes to Editors
1. The exhibition from Wales at the 54th International Art Exhibition is supported by Arts Council of Wales and its grant in aid from the Welsh Assembly Government. Davies’s participation and aspects of the production of new work are being supported by Swansea Metropolitan University.
2. Since 2003 Wales, together with Scotland and Northern Ireland, have developed separate exhibitions as a complement to the British Pavilion at the Giardini. This year Karla Black will represent Scotland at the Palazzo Pisani in Cannaregio and Mike Nelson presents a solo exhibition at the British Pavilion.
3. Tim Davies was selected from an open call for submissions by Arts Council of Wales. Based in Swansea, Davies works with a range of media and will show newly commissioned as well as re-presented work at Venice. He was shortlisted for the inaugural Artes Mundi International Visual Art Prize in 2004 by Declan McGonagle and Fumio Nanjo.
4. This opportunity remains the prime international context for contemporary art and raises Wales' cultural profile as a place for many emerging and highly respected artists. Wales' presence at the Biennale is vital to give a platform for visual art from Wales on an international stage while also reflecting back into Wales through related initiatives such as the internship and invigilator programme, travel grants through Wales Arts International for artists to visit the Biennale and educational resources as well as talks, links, and where appropriate, a re-staging of the exhibition produced for the Biennale back in Wales.
5. At the 2009 Biennale of Art the Ludoteca, just off Via Garibaldi in Castello, housed Once Removed, an exhibition by young Australian artists and was more recently used by Olafur Eliasson at the 2010 Architecture Biennale to present his Starbrick installation.